Search: Starring Michael Fassbender

One of this year's must-see films, this is not simply a worthy tribute of a subject too often ignored by Hollywood; it's also a remarkable piece of cinema in its own right.

Crowder’s film is clearly a labour of love and offers a more multi-angled approach than anything I can recall that’s gone before.

It feels like a two-hour descent into Mordor that makes Gladiator look gay.

Lucy Russell in particular puts in a fascinating and nuanced performance.

Its use of blood and slime and razor teeth is more inventive than a 12-year-old needs watch.

This film is not worth seeing. The costumes, special effects and a brilliant cast can't save it.

A sophisticated palate will discern any number of flavours running through Black Bag, but these are glosses on a traditional recipe.

Centurion cannot escape the huge shadow cast by previous swords-and-sandals epics.

Keira Knightley... will be tough to beat at next year's Academy Awards for her portrayal of Spielrein

Not so very far from where we all live today.

Its momentum is overpowering.

His attempt at satire digs too deep into the muddy waters of exaggeration

Soderbergh lays the pretension on thick in flashbacks to the Barcelona job that is clearly at the root of her problems, with slo-mo here and black and white there doing nothing to distract from the fact that it has all the substance of a chocolate bar adv

Despite the filth, the violence and the desolation, McQueen’s portrait is a thing of brutal beauty in terms of its composition.

Graphic violence is mixed with tongue-twisting wittiness in Tarantino’s peerless signature style.

This is one of the most visually ravishing period dramas ever.

There's a disassociation between the original's ennui and what might be the consequences of sleep deprivation. There's also a rebalancing of its violence, and it might be that which most discomfits.

It's got the musicality that proper swearing should.

Kurzel helps to put his two actors at the top of their game.

It's pleasant enough.

Shot in lush, vivid black and white, the film carries a sense of age and expectation.

This big-screen epic is immersive less for its binocular vistas than for their impossibly grand scale

Maclean shows a land where loss of innocence is ever-present.

Some films need to be watched alone. This is one of them.

Fassbender and Mulligan burn white hot in the central pairing, their emotional maelstrom magnetic even when no dialogue is used.

Fassbender does his best to not make the man easily likable at first.

The West Country slang in use is at times impenetrable, but it’s clear that writer Alex Simmonds has spent a long time learning its intricacies, and the actors are doing their best to capture the spirit and tone of this community.

Without the all-star cast, it's easy to imagine X-Men: Apocalypse as a dismal failure, but the somewhat nonsensical script is rescued by the performances.

This was a great chance to cover one of the most iconic storylines in the history of comics, squandered by not handing the script to a five-year-old child in order to iron out some of the more egregious errors prior to filming.

What makes this film so enjoyable is the chemistry that holds its ensemble together.

It's not only the best X-Men film yet, it's a fantastic piece of cinema in its own right.